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Integrity of creative image for writing an analysis of literary work

Consciousness can work as a psyche, while the psyche as being a awareness. The prerequisites for artistic creativity, these sides are inseparably in principle as a basis. In technology, we count on a consciousness that runs with essences, trying to eliminate thoughts and experiences. In art and literature, emotion contains thought, in idea – feeling. The image is a synthesis of awareness and psyche, ideas and feelings.

What is the foundation for creative creativity in literary analysis?

This is apparently the actual foundation of artistic imagination, which will be feasible only because awareness and psyche, being autonomous spheres, are in the exact same time inextricably linked. It is impossible to lessen the image into the concept (towards the aim of the principles): we should distract ourselves from emotions. To cut back the image to direct experience way to “not notice” the turnover associated with psyche, being able to be fraught with idea.

Nonetheless, the integrity of this image isn’t just a sensually perceived thought (concept). The image is certainly not yet a means associated with the existence of simultaneously concepts that are severala system of concepts). The image is fundamentally multivalued, it simultaneously contains a few aspects. Science can not pay for this. Concepts reduce an object (sensation) to a single aspect, as much as one moment, intentionally abstracting from others. Science explores phenomena analytically with subsequent synthesis, practicing most of the moments of interrelation. Art, but, thinks when it comes to the meanings. Moreover, the clear presence of the sum meanings is an essential condition for the “life” associated with creative image. It is often impractical to decide what is the meaning that is true what’s the “more crucial” meaning.

Concept of artistic concept of literary work

Theoretically, artistic content can be paid off up to a systematic, to a logically developed system of concepts. However in practice this is certainly impossible, which is not essential. Our company is coping with the abyss of definitions. Even throughout the dilemma of the appearance of brand new overtones that are semantic brand new deep definitions, about “self-production” of definitions in traditional works. Since a work may be understood into the end only once absolutely the rational unfolding of pictures is recognized, it may be argued that the information of an extremely creative tasks are a process that is endless.

So, the image is indecomposable. Its perception can only just be holistic: as an event of thought, as a sensually sensed essence. For this reason, the clinical analysis associated with tasks are a “double relative” cognition of creative integrity: apart from that the inexhaustibility of definitions can’t be paid off to a method, with such cognition, the adequate perception of thoughts – empathy – is left out from the brackets.

The most full perception of this visual object is constantly multifaceted:

  • empathy,
  • co-creation,
  • approach to integrity through medical dialectical logic.

What gives the richness up to a work that is literary? (more…)